Sound Samplers: Difference between revisions

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| style="background-color: #F5F5F5;"|Innovated Software
| style="background-color: #F5F5F5;"|Innovated Software
| style="background-color: #F5F5F5;"|1986 / 7
| style="background-color: #F5F5F5;"|1986 / 7
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|48 kHz
| style="background-color: #F5F5F5;"|48 kHz
Line 24: Line 24:
| style="background-color: #F5F5F5;"|Hippopotamus Software / Navarone Industries
| style="background-color: #F5F5F5;"|Hippopotamus Software / Navarone Industries
| style="background-color: #F5F5F5;"|1987
| style="background-color: #F5F5F5;"|1987
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|64 kHz
| style="background-color: #F5F5F5;"|64 kHz
Line 31: Line 31:
| style="background-color: #F5F5F5;"|Eldersoft / Power Computing
| style="background-color: #F5F5F5;"|Eldersoft / Power Computing
| style="background-color: #F5F5F5;"|1987
| style="background-color: #F5F5F5;"|1987
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|30 kHz
| style="background-color: #F5F5F5;"|30 kHz
Line 52: Line 52:
| style="background-color: #F5F5F5;"|Hybrid Arts
| style="background-color: #F5F5F5;"|Hybrid Arts
| style="background-color: #F5F5F5;"|1987 & 1989
| style="background-color: #F5F5F5;"|1987 & 1989
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|48 kHz
| style="background-color: #F5F5F5;"|48 kHz
Line 59: Line 59:
| style="background-color: #F5F5F5;"|Didier Mequignon
| style="background-color: #F5F5F5;"|Didier Mequignon
| style="background-color: #F5F5F5;"|1987 to 2001
| style="background-color: #F5F5F5;"|1987 to 2001
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|44.1 kHz
| style="background-color: #F5F5F5;"|44.1 kHz
Line 73: Line 73:
| style="background-color: #F5F5F5;"|Datel Electronics
| style="background-color: #F5F5F5;"|Datel Electronics
| style="background-color: #F5F5F5;"|1989
| style="background-color: #F5F5F5;"|1989
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|28.9 kHz
| style="background-color: #F5F5F5;"|28.9 kHz
Line 80: Line 80:
| style="background-color: #F5F5F5;"|ACN
| style="background-color: #F5F5F5;"|ACN
| style="background-color: #F5F5F5;"|1989
| style="background-color: #F5F5F5;"|1989
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|40 kHz
| style="background-color: #F5F5F5;"|40 kHz
Line 87: Line 87:
| style="background-color: #F5F5F5;"|Digidesign
| style="background-color: #F5F5F5;"|Digidesign
| style="background-color: #F5F5F5;"|1989 & 1990
| style="background-color: #F5F5F5;"|1989 & 1990
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|48 kHz
| style="background-color: #F5F5F5;"|48 kHz
Line 101: Line 101:
| style="background-color: #F5F5F5;"|Galactic
| style="background-color: #F5F5F5;"|Galactic
| style="background-color: #F5F5F5;"|1990
| style="background-color: #F5F5F5;"|1990
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|42 kHz
| style="background-color: #F5F5F5;"|42 kHz
Line 115: Line 115:
| style="background-color: #F5F5F5;"|Pandaal
| style="background-color: #F5F5F5;"|Pandaal
| style="background-color: #F5F5F5;"|1991
| style="background-color: #F5F5F5;"|1991
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|25 kHz
| style="background-color: #F5F5F5;"|25 kHz
Line 122: Line 122:
| style="background-color: #F5F5F5;"|Mandarin
| style="background-color: #F5F5F5;"|Mandarin
| style="background-color: #F5F5F5;"|1992
| style="background-color: #F5F5F5;"|1992
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|32 kHz
| style="background-color: #F5F5F5;"|32 kHz
Line 129: Line 129:
| style="background-color: #F5F5F5;"|Compo
| style="background-color: #F5F5F5;"|Compo
| style="background-color: #F5F5F5;"|1993
| style="background-color: #F5F5F5;"|1993
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|49.2 kHz
| style="background-color: #F5F5F5;"|49.2 kHz
Line 192: Line 192:
| style="background-color: #F5F5F5;"|Horizon / Pandaal / Microdeal
| style="background-color: #F5F5F5;"|Horizon / Pandaal / Microdeal
| style="background-color: #F5F5F5;"|1989
| style="background-color: #F5F5F5;"|1989
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|20 kHz
| style="background-color: #F5F5F5;"|20 kHz
Line 199: Line 199:
| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|1990
| style="background-color: #F5F5F5;"|1990
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|30.7 kHz
| style="background-color: #F5F5F5;"|30.7 kHz
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| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|1991
| style="background-color: #F5F5F5;"|1991
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|27.9 kHz
| style="background-color: #F5F5F5;"|27.9 kHz
Line 220: Line 220:
| style="background-color: #F5F5F5;"|Microdeal / MichTron in the U.S.
| style="background-color: #F5F5F5;"|Microdeal / MichTron in the U.S.
| style="background-color: #F5F5F5;"|1987
| style="background-color: #F5F5F5;"|1987
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|31 kHz
| style="background-color: #F5F5F5;"|31 kHz
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| style="background-color: #F5F5F5;"|Microdeal / MichTron in the U.S.
| style="background-color: #F5F5F5;"|Microdeal / MichTron in the U.S.
| style="background-color: #F5F5F5;"|1989
| style="background-color: #F5F5F5;"|1989
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|50 kHz
| style="background-color: #F5F5F5;"|50 kHz
Line 234: Line 234:
| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|1990
| style="background-color: #F5F5F5;"|1990
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|48 kHz
| style="background-color: #F5F5F5;"|48 kHz
Line 241: Line 241:
| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|1990
| style="background-color: #F5F5F5;"|1990
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|48 kHz
| style="background-color: #F5F5F5;"|48 kHz
Line 248: Line 248:
| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|1991
| style="background-color: #F5F5F5;"|1991
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|8 Bits
| style="background-color: #F5F5F5;"|48 kHz
| style="background-color: #F5F5F5;"|48 kHz
Line 255: Line 255:
| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|1992
| style="background-color: #F5F5F5;"|1992
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|48 kHz
| style="background-color: #F5F5F5;"|48 kHz
Line 262: Line 262:
| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|Microdeal
| style="background-color: #F5F5F5;"|1994
| style="background-color: #F5F5F5;"|1994
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|48 kHz
| style="background-color: #F5F5F5;"|48 kHz
Line 276: Line 276:
| style="background-color: #F5F5F5;"|AVR (2 Bit Systems)
| style="background-color: #F5F5F5;"|AVR (2 Bit Systems)
| style="background-color: #F5F5F5;"|1990
| style="background-color: #F5F5F5;"|1990
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|12 Bits
| style="background-color: #F5F5F5;"|12 Bits
| style="background-color: #F5F5F5;"|48 kHz
| style="background-color: #F5F5F5;"|48 kHz
Line 283: Line 283:
| style="background-color: #F5F5F5;"|AVR (2 Bit Systems)
| style="background-color: #F5F5F5;"|AVR (2 Bit Systems)
| style="background-color: #F5F5F5;"|1991
| style="background-color: #F5F5F5;"|1991
| style="background-color: #F5F5F5;"|Sampler / Sample Editor
| style="background-color: #F5F5F5;"|Sampler
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|16 Bits
| style="background-color: #F5F5F5;"|44.1 kHz
| style="background-color: #F5F5F5;"|44.1 kHz

Revision as of 10:17, 12 March 2016

The first Sound Samplers for the TOS range of computers started to appear in 1987, possibly 1986. This is a non-exhaustive list of those Samplers* and Sample Editors**, to serve as a catalogue.

  • *The term Sampler will be used hereafter, commonly evolved from the once termed Sound Digitiser, in this context meaning a software tool used for digitising sound, typically shorter in length, but not necessarily so. Not to be confused with Multitrack Hard Disk (HD) / Direct to Disk (D2D) recording, later to evolve to Digital Audio Workstations (DAWs), however some listed here, although not full blown DAWs, are the beginnings of what we now associate with the term, offering D2D. This list incorporates D2D software where no multiple track recording is offered, intrinsic to Samplers, although not exclusive by modern standards.
  • **Lastly, to distinguish, Sample Editors are those that only edit samples, and therefore do not sample (i.e do not create digital sounds via ADC).

Samplers and Sample Editors included in Digital Trackers are not included in the list, as these are deemed a feature of the Tracker.


Name Software Company / Developer Year Type Max. Sample Format Max. Sample Rate
IS Sound Digitiser Innovated Software 1986 / 7 Sampler 8 Bits 48 kHz
ST Sound Digitizer Hippopotamus Software / Navarone Industries 1987 Sampler 8 Bits 64 kHz
Pro Sound Designer Eldersoft / Power Computing 1987 Sampler 8 Bits 30 kHz
SampleMaker Virtual Sounds 1987 MIDI Sample Editor 16 Bits 36 kHz
ST Sonic Editor Sonus Corporation 1987 MIDI Sample Editor 8 Bits 32 kHz
ADAP / ADAP II Soundrack Hybrid Arts 1987 & 1989 Sampler 16 Bits 48 kHz
Sondigit Didier Mequignon 1987 to 2001 Sampler 16 Bits 44.1 kHz
Digisound / Digisound Professional Siren Software / Alpha Systems 1988 & 1989 Sampler / Sample Editor 8 Bits 40 kHz
ST Pro Sampler Studio Datel Electronics 1989 Sampler 8 Bits 28.9 kHz
Sample Maker Pro ACN 1989 Sampler 8 Bits 40 kHz
Sound Designer / Sound Designer II Digidesign 1989 & 1990 Sampler 16 Bits 48 kHz
Avalon / Avalon 2 Steinberg 1989 & 1991 Sample Editor 16 Bits 44.1 kHz
Sample Wizard STe Galactic 1990 Sampler 8 Bits 42 kHz
SonicDreams Daniel Skaborn / Peter Sansom 1990+ MIDI Sample Editor 8 Bits 32 kHz
DaataSound Pandaal 1991 Sampler 8 Bits 25 kHz
STOS Maestro / STOS Maestro Plus Mandarin 1992 Sampler 8 Bits 32 kHz
Musicom / Musicom 2 Compo 1993 Sampler 16 Bits 49.2 kHz
ADS-Edit Chris Biedermann 1993 Wavetable Generator 16 Bits 44.1 kHz
Zero-X / Zero-X 2 Copson Data 1995 & 1998 Sample Editor 16 Bits 48 kHz
Squash it! Electronic Cow 1999 Sample Editor 16 Bits 48 kHz
New Wave David Snow 2000 Wavefile Generator 16 Bits 50 kHz
Sound System Series
Sound System S612 Soft Arts 1988 MIDI Sample Editor 12 Bits 32 kHz
Sound System X7000 Soft Arts 1989 MIDI Sample Editor 12 Bits 40 kHz
Master Series
Master Sound Horizon / Pandaal / Microdeal 1989 Sampler 8 Bits 20 kHz
Master Sound 2 Microdeal 1990 Sampler 8 Bits 30.7 kHz
Stereo Master Microdeal 1991 Sampler 8 Bits 27.9 kHz
Replay Series
ST Replay aka "Replay 3" Microdeal / MichTron in the U.S. 1987 Sampler 8 Bits 31 kHz
Replay 4 Microdeal / MichTron in the U.S. 1989 Sampler 8 Bits 50 kHz
Replay Professional Microdeal 1990 Sampler 8 Bits 48 kHz
Replay 8 Microdeal 1990 Sampler 8 Bits 48 kHz
Stereo Replay Microdeal 1991 Sampler 8 Bits 48 kHz
Replay 16 Microdeal 1992 Sampler 16 Bits 48 kHz
Clarity 16 Microdeal 1994 Sampler 16 Bits 48 kHz
Pro Series
Pro Series 12 AVR (2 Bit Systems) 1990 Sampler 12 Bits 48 kHz
Pro Series 16 AVR (2 Bit Systems) 1991 Sampler 16 Bits 44.1 kHz

--Atari74user 23:09, 10 March 2016 (CET)


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