Sound Samplers: Difference between revisions
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{| border="1" | {| border="1" | ||
| style="background-color: #CCE1D7"|''' | | style="background-color: #CCE1D7"|'''Name''' | ||
| style="background-color: #CCE1D7"|'''Software Company / Developer''' | | style="background-color: #CCE1D7"|'''Software Company / Developer''' | ||
| style="background-color: #CCE1D7"|'''Year''' | | style="background-color: #CCE1D7"|'''Year''' | ||
| style="background-color: #CCE1D7"|'''Type''' | |||
| style="background-color: #CCE1D7"|'''Max. Sample Format''' | | style="background-color: #CCE1D7"|'''Max. Sample Format''' | ||
| style="background-color: #CCE1D7"|'''Max. Sample Rate''' | | style="background-color: #CCE1D7"|'''Max. Sample Rate''' | ||
| Line 16: | Line 17: | ||
| style="background-color: #F5F5F5;"|Innovated Software | | style="background-color: #F5F5F5;"|Innovated Software | ||
| style="background-color: #F5F5F5;"|1986 / 7 | | style="background-color: #F5F5F5;"|1986 / 7 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|48 kHz | | style="background-color: #F5F5F5;"|48 kHz | ||
| Line 22: | Line 24: | ||
| style="background-color: #F5F5F5;"|Hippopotamus Software / Navarone Industries | | style="background-color: #F5F5F5;"|Hippopotamus Software / Navarone Industries | ||
| style="background-color: #F5F5F5;"|1987 | | style="background-color: #F5F5F5;"|1987 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|64 kHz | | style="background-color: #F5F5F5;"|64 kHz | ||
| Line 28: | Line 31: | ||
| style="background-color: #F5F5F5;"|Eldersoft / Power Computing | | style="background-color: #F5F5F5;"|Eldersoft / Power Computing | ||
| style="background-color: #F5F5F5;"|1987 | | style="background-color: #F5F5F5;"|1987 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|30 kHz | | style="background-color: #F5F5F5;"|30 kHz | ||
| Line 34: | Line 38: | ||
| style="background-color: #F5F5F5;"|Virtual Sounds | | style="background-color: #F5F5F5;"|Virtual Sounds | ||
| style="background-color: #F5F5F5;"|1987 | | style="background-color: #F5F5F5;"|1987 | ||
| style="background-color: #F5F5F5;"|MIDI Sample Editor | |||
| style="background-color: #F5F5F5;"|16 Bits | | style="background-color: #F5F5F5;"|16 Bits | ||
| style="background-color: #F5F5F5;"|36 kHz | | style="background-color: #F5F5F5;"|36 kHz | ||
| Line 40: | Line 45: | ||
| style="background-color: #F5F5F5;"|Sonus Corporation | | style="background-color: #F5F5F5;"|Sonus Corporation | ||
| style="background-color: #F5F5F5;"|1987 | | style="background-color: #F5F5F5;"|1987 | ||
| style="background-color: #F5F5F5;"|MIDI Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|32 kHz | | style="background-color: #F5F5F5;"|32 kHz | ||
| Line 46: | Line 52: | ||
| style="background-color: #F5F5F5;"|Hybrid Arts | | style="background-color: #F5F5F5;"|Hybrid Arts | ||
| style="background-color: #F5F5F5;"|1987 & 1989 | | style="background-color: #F5F5F5;"|1987 & 1989 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|16 Bits | | style="background-color: #F5F5F5;"|16 Bits | ||
| style="background-color: #F5F5F5;"|48 kHz | | style="background-color: #F5F5F5;"|48 kHz | ||
| Line 52: | Line 59: | ||
| style="background-color: #F5F5F5;"|Didier Mequignon | | style="background-color: #F5F5F5;"|Didier Mequignon | ||
| style="background-color: #F5F5F5;"|1987 to 2001 | | style="background-color: #F5F5F5;"|1987 to 2001 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|16 Bits | | style="background-color: #F5F5F5;"|16 Bits | ||
| style="background-color: #F5F5F5;"|44.1 kHz | | style="background-color: #F5F5F5;"|44.1 kHz | ||
| Line 58: | Line 66: | ||
| style="background-color: #F5F5F5;"|Siren Software / Alpha Systems | | style="background-color: #F5F5F5;"|Siren Software / Alpha Systems | ||
| style="background-color: #F5F5F5;"|1988 & 1989 | | style="background-color: #F5F5F5;"|1988 & 1989 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|40 kHz | | style="background-color: #F5F5F5;"|40 kHz | ||
| Line 64: | Line 73: | ||
| style="background-color: #F5F5F5;"|Datel Electronics | | style="background-color: #F5F5F5;"|Datel Electronics | ||
| style="background-color: #F5F5F5;"|1989 | | style="background-color: #F5F5F5;"|1989 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|28.9 kHz | | style="background-color: #F5F5F5;"|28.9 kHz | ||
| Line 70: | Line 80: | ||
| style="background-color: #F5F5F5;"|ACN | | style="background-color: #F5F5F5;"|ACN | ||
| style="background-color: #F5F5F5;"|1989 | | style="background-color: #F5F5F5;"|1989 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|40 kHz | | style="background-color: #F5F5F5;"|40 kHz | ||
| Line 76: | Line 87: | ||
| style="background-color: #F5F5F5;"|Digidesign | | style="background-color: #F5F5F5;"|Digidesign | ||
| style="background-color: #F5F5F5;"|1989 & 1990 | | style="background-color: #F5F5F5;"|1989 & 1990 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|16 Bits | | style="background-color: #F5F5F5;"|16 Bits | ||
| style="background-color: #F5F5F5;"|48 kHz | | style="background-color: #F5F5F5;"|48 kHz | ||
| Line 82: | Line 94: | ||
| style="background-color: #F5F5F5;"|Steinberg | | style="background-color: #F5F5F5;"|Steinberg | ||
| style="background-color: #F5F5F5;"|1989 & 1991 | | style="background-color: #F5F5F5;"|1989 & 1991 | ||
| style="background-color: #F5F5F5;"|Sample Editor | |||
| style="background-color: #F5F5F5;"|16 Bits | | style="background-color: #F5F5F5;"|16 Bits | ||
| style="background-color: #F5F5F5;"|44.1 kHz | | style="background-color: #F5F5F5;"|44.1 kHz | ||
| Line 88: | Line 101: | ||
| style="background-color: #F5F5F5;"|Galactic | | style="background-color: #F5F5F5;"|Galactic | ||
| style="background-color: #F5F5F5;"|1990 | | style="background-color: #F5F5F5;"|1990 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|42 kHz | | style="background-color: #F5F5F5;"|42 kHz | ||
| Line 94: | Line 108: | ||
| style="background-color: #F5F5F5;"|Daniel Skaborn / Peter Sansom | | style="background-color: #F5F5F5;"|Daniel Skaborn / Peter Sansom | ||
| style="background-color: #F5F5F5;"|1990+ | | style="background-color: #F5F5F5;"|1990+ | ||
| style="background-color: #F5F5F5;"|MIDI Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|32 kHz | | style="background-color: #F5F5F5;"|32 kHz | ||
| Line 100: | Line 115: | ||
| style="background-color: #F5F5F5;"|Pandaal | | style="background-color: #F5F5F5;"|Pandaal | ||
| style="background-color: #F5F5F5;"|1991 | | style="background-color: #F5F5F5;"|1991 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|25 kHz | | style="background-color: #F5F5F5;"|25 kHz | ||
| Line 106: | Line 122: | ||
| style="background-color: #F5F5F5;"|Mandarin | | style="background-color: #F5F5F5;"|Mandarin | ||
| style="background-color: #F5F5F5;"|1992 | | style="background-color: #F5F5F5;"|1992 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|32 kHz | | style="background-color: #F5F5F5;"|32 kHz | ||
| Line 112: | Line 129: | ||
| style="background-color: #F5F5F5;"|Compo | | style="background-color: #F5F5F5;"|Compo | ||
| style="background-color: #F5F5F5;"|1993 | | style="background-color: #F5F5F5;"|1993 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|16 Bits | | style="background-color: #F5F5F5;"|16 Bits | ||
| style="background-color: #F5F5F5;"|49.2 kHz | | style="background-color: #F5F5F5;"|49.2 kHz | ||
| Line 118: | Line 136: | ||
| style="background-color: #F5F5F5;"|Chris Biedermann | | style="background-color: #F5F5F5;"|Chris Biedermann | ||
| style="background-color: #F5F5F5;"|1993 | | style="background-color: #F5F5F5;"|1993 | ||
| style="background-color: #F5F5F5;"|Wavetable Generator | |||
| style="background-color: #F5F5F5;"|16 Bits | | style="background-color: #F5F5F5;"|16 Bits | ||
| style="background-color: #F5F5F5;"|44.1 kHz | | style="background-color: #F5F5F5;"|44.1 kHz | ||
| Line 124: | Line 143: | ||
| style="background-color: #F5F5F5;"|Copson Data | | style="background-color: #F5F5F5;"|Copson Data | ||
| style="background-color: #F5F5F5;"|1995 & 1998 | | style="background-color: #F5F5F5;"|1995 & 1998 | ||
| style="background-color: #F5F5F5;"|Sample Editor | |||
| style="background-color: #F5F5F5;"|16 Bits | | style="background-color: #F5F5F5;"|16 Bits | ||
| style="background-color: #F5F5F5;"|48 kHz | | style="background-color: #F5F5F5;"|48 kHz | ||
| Line 130: | Line 150: | ||
| style="background-color: #F5F5F5;"|Electronic Cow | | style="background-color: #F5F5F5;"|Electronic Cow | ||
| style="background-color: #F5F5F5;"|1999 | | style="background-color: #F5F5F5;"|1999 | ||
| style="background-color: #F5F5F5;"|Sample Editor | |||
| style="background-color: #F5F5F5;"|16 Bits | | style="background-color: #F5F5F5;"|16 Bits | ||
| style="background-color: #F5F5F5;"|48 kHz | | style="background-color: #F5F5F5;"|48 kHz | ||
| Line 136: | Line 157: | ||
| style="background-color: #F5F5F5;"|David Snow | | style="background-color: #F5F5F5;"|David Snow | ||
| style="background-color: #F5F5F5;"|2000 | | style="background-color: #F5F5F5;"|2000 | ||
| style="background-color: #F5F5F5;"|Wavefile Generator | |||
| style="background-color: #F5F5F5;"|16 Bits | | style="background-color: #F5F5F5;"|16 Bits | ||
| style="background-color: #F5F5F5;"|50 kHz | | style="background-color: #F5F5F5;"|50 kHz | ||
|- | |- | ||
| style="background-color: #CCE1D7"|''Sound System Series'' | | style="background-color: #CCE1D7"|''Sound System Series'' | ||
| style="background-color: #CCE1D7"| | |||
| style="background-color: #CCE1D7"| | | style="background-color: #CCE1D7"| | ||
| style="background-color: #CCE1D7"| | | style="background-color: #CCE1D7"| | ||
| Line 148: | Line 171: | ||
| style="background-color: #F5F5F5;"|Soft Arts | | style="background-color: #F5F5F5;"|Soft Arts | ||
| style="background-color: #F5F5F5;"|1988 | | style="background-color: #F5F5F5;"|1988 | ||
| style="background-color: #F5F5F5;"|MIDI Sample Editor | |||
| style="background-color: #F5F5F5;"|12 Bits | | style="background-color: #F5F5F5;"|12 Bits | ||
| style="background-color: #F5F5F5;"|32 kHz | | style="background-color: #F5F5F5;"|32 kHz | ||
| Line 154: | Line 178: | ||
| style="background-color: #F5F5F5;"|Soft Arts | | style="background-color: #F5F5F5;"|Soft Arts | ||
| style="background-color: #F5F5F5;"|1989 | | style="background-color: #F5F5F5;"|1989 | ||
| style="background-color: #F5F5F5;"|MIDI Sample Editor | |||
| style="background-color: #F5F5F5;"|12 Bits | | style="background-color: #F5F5F5;"|12 Bits | ||
| style="background-color: #F5F5F5;"|40 kHz | | style="background-color: #F5F5F5;"|40 kHz | ||
|- | |- | ||
| style="background-color: #CCE1D7"|''Master Series'' | | style="background-color: #CCE1D7"|''Master Series'' | ||
| style="background-color: #CCE1D7"| | |||
| style="background-color: #CCE1D7"| | | style="background-color: #CCE1D7"| | ||
| style="background-color: #CCE1D7"| | | style="background-color: #CCE1D7"| | ||
| Line 166: | Line 192: | ||
| style="background-color: #F5F5F5;"|Horizon / Pandaal / Microdeal | | style="background-color: #F5F5F5;"|Horizon / Pandaal / Microdeal | ||
| style="background-color: #F5F5F5;"|1989 | | style="background-color: #F5F5F5;"|1989 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|20 kHz | | style="background-color: #F5F5F5;"|20 kHz | ||
| Line 172: | Line 199: | ||
| style="background-color: #F5F5F5;"|Microdeal | | style="background-color: #F5F5F5;"|Microdeal | ||
| style="background-color: #F5F5F5;"|1990 | | style="background-color: #F5F5F5;"|1990 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|30.7 kHz | | style="background-color: #F5F5F5;"|30.7 kHz | ||
| Line 178: | Line 206: | ||
| style="background-color: #F5F5F5;"|Microdeal | | style="background-color: #F5F5F5;"|Microdeal | ||
| style="background-color: #F5F5F5;"|1991 | | style="background-color: #F5F5F5;"|1991 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|27.9 kHz | | style="background-color: #F5F5F5;"|27.9 kHz | ||
|- | |- | ||
| style="background-color: #CCE1D7"|''Replay Series'' | | style="background-color: #CCE1D7"|''Replay Series'' | ||
| style="background-color: #CCE1D7"| | |||
| style="background-color: #CCE1D7"| | | style="background-color: #CCE1D7"| | ||
| style="background-color: #CCE1D7"| | | style="background-color: #CCE1D7"| | ||
| Line 190: | Line 220: | ||
| style="background-color: #F5F5F5;"|Microdeal / MichTron in the U.S. | | style="background-color: #F5F5F5;"|Microdeal / MichTron in the U.S. | ||
| style="background-color: #F5F5F5;"|1987 | | style="background-color: #F5F5F5;"|1987 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|31 kHz | | style="background-color: #F5F5F5;"|31 kHz | ||
| Line 196: | Line 227: | ||
| style="background-color: #F5F5F5;"|Microdeal / MichTron in the U.S. | | style="background-color: #F5F5F5;"|Microdeal / MichTron in the U.S. | ||
| style="background-color: #F5F5F5;"|1989 | | style="background-color: #F5F5F5;"|1989 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|50 kHz | | style="background-color: #F5F5F5;"|50 kHz | ||
| Line 202: | Line 234: | ||
| style="background-color: #F5F5F5;"|Microdeal | | style="background-color: #F5F5F5;"|Microdeal | ||
| style="background-color: #F5F5F5;"|1990 | | style="background-color: #F5F5F5;"|1990 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|48 kHz | | style="background-color: #F5F5F5;"|48 kHz | ||
| Line 208: | Line 241: | ||
| style="background-color: #F5F5F5;"|Microdeal | | style="background-color: #F5F5F5;"|Microdeal | ||
| style="background-color: #F5F5F5;"|1990 | | style="background-color: #F5F5F5;"|1990 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|48 kHz | | style="background-color: #F5F5F5;"|48 kHz | ||
| Line 214: | Line 248: | ||
| style="background-color: #F5F5F5;"|Microdeal | | style="background-color: #F5F5F5;"|Microdeal | ||
| style="background-color: #F5F5F5;"|1991 | | style="background-color: #F5F5F5;"|1991 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|8 Bits | | style="background-color: #F5F5F5;"|8 Bits | ||
| style="background-color: #F5F5F5;"|48 kHz | | style="background-color: #F5F5F5;"|48 kHz | ||
| Line 220: | Line 255: | ||
| style="background-color: #F5F5F5;"|Microdeal | | style="background-color: #F5F5F5;"|Microdeal | ||
| style="background-color: #F5F5F5;"|1992 | | style="background-color: #F5F5F5;"|1992 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|16 Bits | | style="background-color: #F5F5F5;"|16 Bits | ||
| style="background-color: #F5F5F5;"|48 kHz | | style="background-color: #F5F5F5;"|48 kHz | ||
| Line 226: | Line 262: | ||
| style="background-color: #F5F5F5;"|Microdeal | | style="background-color: #F5F5F5;"|Microdeal | ||
| style="background-color: #F5F5F5;"|1994 | | style="background-color: #F5F5F5;"|1994 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|16 Bits | | style="background-color: #F5F5F5;"|16 Bits | ||
| style="background-color: #F5F5F5;"|48 kHz | | style="background-color: #F5F5F5;"|48 kHz | ||
|- | |- | ||
| style="background-color: #CCE1D7"|''Pro Series'' | | style="background-color: #CCE1D7"|''Pro Series'' | ||
| style="background-color: #CCE1D7"| | |||
| style="background-color: #CCE1D7"| | | style="background-color: #CCE1D7"| | ||
| style="background-color: #CCE1D7"| | | style="background-color: #CCE1D7"| | ||
| Line 238: | Line 276: | ||
| style="background-color: #F5F5F5;"|AVR (2 Bit Systems) | | style="background-color: #F5F5F5;"|AVR (2 Bit Systems) | ||
| style="background-color: #F5F5F5;"|1990 | | style="background-color: #F5F5F5;"|1990 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|12 Bits | | style="background-color: #F5F5F5;"|12 Bits | ||
| style="background-color: #F5F5F5;"|48 kHz | | style="background-color: #F5F5F5;"|48 kHz | ||
| Line 244: | Line 283: | ||
| style="background-color: #F5F5F5;"|AVR (2 Bit Systems) | | style="background-color: #F5F5F5;"|AVR (2 Bit Systems) | ||
| style="background-color: #F5F5F5;"|1991 | | style="background-color: #F5F5F5;"|1991 | ||
| style="background-color: #F5F5F5;"|Sampler / Sample Editor | |||
| style="background-color: #F5F5F5;"|16 Bits | | style="background-color: #F5F5F5;"|16 Bits | ||
| style="background-color: #F5F5F5;"|44.1 kHz | | style="background-color: #F5F5F5;"|44.1 kHz | ||
Revision as of 10:14, 12 March 2016
The first Sound Samplers for the TOS range of computers started to appear in 1987, possibly 1986. This is a non-exhaustive list of those Samplers* and Sample Editors**, to serve as a catalogue.
- *The term Sampler will be used hereafter, commonly evolved from the once termed Sound Digitiser, in this context meaning a software tool used for digitising sound, typically shorter in length, but not necessarily so. Not to be confused with Multitrack Hard Disk (HD) / Direct to Disk (D2D) recording, later to evolve to Digital Audio Workstations (DAWs), however some listed here, although not full blown DAWs, are the beginnings of what we now associate with the term, offering D2D. This list incorporates D2D software where no multiple track recording is offered, intrinsic to Samplers, although not exclusive by modern standards.
- **Lastly, to distinguish, Sample Editors are those that only edit samples, and therefore do not sample (i.e do not create digital sounds via ADC).
Samplers and Sample Editors included in Digital Trackers are not included in the list, as these are deemed a feature of the Tracker.
| Name | Software Company / Developer | Year | Type | Max. Sample Format | Max. Sample Rate |
| IS Sound Digitiser | Innovated Software | 1986 / 7 | Sampler / Sample Editor | 8 Bits | 48 kHz |
| ST Sound Digitizer | Hippopotamus Software / Navarone Industries | 1987 | Sampler / Sample Editor | 8 Bits | 64 kHz |
| Pro Sound Designer | Eldersoft / Power Computing | 1987 | Sampler / Sample Editor | 8 Bits | 30 kHz |
| SampleMaker | Virtual Sounds | 1987 | MIDI Sample Editor | 16 Bits | 36 kHz |
| ST Sonic Editor | Sonus Corporation | 1987 | MIDI Sample Editor | 8 Bits | 32 kHz |
| ADAP / ADAP II Soundrack | Hybrid Arts | 1987 & 1989 | Sampler / Sample Editor | 16 Bits | 48 kHz |
| Sondigit | Didier Mequignon | 1987 to 2001 | Sampler / Sample Editor | 16 Bits | 44.1 kHz |
| Digisound / Digisound Professional | Siren Software / Alpha Systems | 1988 & 1989 | Sampler / Sample Editor | 8 Bits | 40 kHz |
| ST Pro Sampler Studio | Datel Electronics | 1989 | Sampler / Sample Editor | 8 Bits | 28.9 kHz |
| Sample Maker Pro | ACN | 1989 | Sampler / Sample Editor | 8 Bits | 40 kHz |
| Sound Designer / Sound Designer II | Digidesign | 1989 & 1990 | Sampler / Sample Editor | 16 Bits | 48 kHz |
| Avalon / Avalon 2 | Steinberg | 1989 & 1991 | Sample Editor | 16 Bits | 44.1 kHz |
| Sample Wizard STe | Galactic | 1990 | Sampler / Sample Editor | 8 Bits | 42 kHz |
| SonicDreams | Daniel Skaborn / Peter Sansom | 1990+ | MIDI Sample Editor | 8 Bits | 32 kHz |
| DaataSound | Pandaal | 1991 | Sampler / Sample Editor | 8 Bits | 25 kHz |
| STOS Maestro / STOS Maestro Plus | Mandarin | 1992 | Sampler / Sample Editor | 8 Bits | 32 kHz |
| Musicom / Musicom 2 | Compo | 1993 | Sampler / Sample Editor | 16 Bits | 49.2 kHz |
| ADS-Edit | Chris Biedermann | 1993 | Wavetable Generator | 16 Bits | 44.1 kHz |
| Zero-X / Zero-X 2 | Copson Data | 1995 & 1998 | Sample Editor | 16 Bits | 48 kHz |
| Squash it! | Electronic Cow | 1999 | Sample Editor | 16 Bits | 48 kHz |
| New Wave | David Snow | 2000 | Wavefile Generator | 16 Bits | 50 kHz |
| Sound System Series | |||||
| Sound System S612 | Soft Arts | 1988 | MIDI Sample Editor | 12 Bits | 32 kHz |
| Sound System X7000 | Soft Arts | 1989 | MIDI Sample Editor | 12 Bits | 40 kHz |
| Master Series | |||||
| Master Sound | Horizon / Pandaal / Microdeal | 1989 | Sampler / Sample Editor | 8 Bits | 20 kHz |
| Master Sound 2 | Microdeal | 1990 | Sampler / Sample Editor | 8 Bits | 30.7 kHz |
| Stereo Master | Microdeal | 1991 | Sampler / Sample Editor | 8 Bits | 27.9 kHz |
| Replay Series | |||||
| ST Replay aka "Replay 3" | Microdeal / MichTron in the U.S. | 1987 | Sampler / Sample Editor | 8 Bits | 31 kHz |
| Replay 4 | Microdeal / MichTron in the U.S. | 1989 | Sampler / Sample Editor | 8 Bits | 50 kHz |
| Replay Professional | Microdeal | 1990 | Sampler / Sample Editor | 8 Bits | 48 kHz |
| Replay 8 | Microdeal | 1990 | Sampler / Sample Editor | 8 Bits | 48 kHz |
| Stereo Replay | Microdeal | 1991 | Sampler / Sample Editor | 8 Bits | 48 kHz |
| Replay 16 | Microdeal | 1992 | Sampler / Sample Editor | 16 Bits | 48 kHz |
| Clarity 16 | Microdeal | 1994 | Sampler / Sample Editor | 16 Bits | 48 kHz |
| Pro Series | |||||
| Pro Series 12 | AVR (2 Bit Systems) | 1990 | Sampler / Sample Editor | 12 Bits | 48 kHz |
| Pro Series 16 | AVR (2 Bit Systems) | 1991 | Sampler / Sample Editor | 16 Bits | 44.1 kHz |
--Atari74user 23:09, 10 March 2016 (CET)
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